There is something quietly subversive about sitting down with a physical book to read an argument in defence of slowness. That is precisely the experience Analog by Robert Hassan delivers — and it is all the more powerful for it.
Hassan, a media and communications scholar at the University of Melbourne, has spent his career examining how digital technology reshapes human perception, attention, and culture. Analog is perhaps his most accessible and urgent work yet: a carefully reasoned case for why the analogue — meaning the physical, the slow, the embodied, and the non-digital — is not a relic of the past but an essential counterweight to an accelerating digital present.
At Zest City, we spend our days helping businesses grow through digital channels — from website design and ecommerce to AI integration and digital marketing. So when a book challenges the assumptions underpinning all of that, we think it deserves an honest read. Here is our review.
Despite the title, Analog is not a nostalgia trip or a Luddite manifesto. Hassan is not arguing that we should abandon our smartphones and go back to fax machines. His argument is more nuanced and, in our view, more valuable than that.
Hassan’s central thesis is this: digital technology operates at a speed and scale that is fundamentally misaligned with human cognition, biology, and social life. The analogue — whether that is handwriting, face-to-face conversation, physical craft, or simply unstructured time — is the domain in which deep thinking, creativity, and genuine human connection actually occur.
He draws on philosophy (Heidegger, Bergson), media theory (McLuhan, Virilio), and contemporary cognitive science to build his case. The result is a book that is intellectually rigorous without being inaccessible, and provocative without being preachy.
Key themes include:
This is the question we kept returning to as we worked through the book. The answer, we think, is straightforward: because Hassan is describing your working life.
If you work in digital marketing, web development, virtual events, or any technology-adjacent field, you almost certainly recognise the conditions he describes. The relentless notification stream. The pressure to publish, post, respond, and optimise in near-real-time. The creeping sense that deep focus has become a luxury rather than a default.
Hassan frames this not as a personal failing but as a structural feature of networked digital environments. That reframing alone is worth the cover price.
For those of us who also think about how AI integrates into business workflows, the book raises genuinely important questions. As automation accelerates, what uniquely human capacities become more — not less — valuable? Hassan’s answer, broadly, is: the very capacities that analogue practice cultivates. Judgement. Contextual sensitivity. Creative synthesis. Patience.
These are not soft skills. In an AI-augmented economy, they may well become the hardest skills of all.
Several of Hassan’s arguments land with particular force.
Hassan is at his best when dissecting what he calls “network time” — the asynchronous yet always-urgent rhythm imposed by digital platforms. His observation that social media, email, and messaging apps are engineered to make the present moment feel perpetually incomplete is not new, but his philosophical grounding of the point gives it fresh weight.
For anyone managing a brand’s social media presence or running digital campaigns — work that Zest City’s social media marketing team knows intimately — this section is both validating and useful. Understanding why platforms are designed to create urgency is the first step to using them deliberately rather than reactively.
Cal Newport’s Deep Work popularised the idea that focused, uninterrupted cognitive effort is becoming rare and therefore valuable. Hassan’s philosophical framework provides the structural explanation for why that is happening at a civilisational level, not just an individual productivity level. The two books make excellent companion reading.
The chapters on embodied cognition are particularly compelling for creative professionals. Hassan draws on substantial research to argue that physical engagement — sketching, writing by hand, working in physical space — activates cognitive processes that screen-based work does not. For designers, brand strategists, and anyone involved in corporate identity and creative work, this is worth sitting with.
No honest review should be purely laudatory, and Analog has its vulnerabilities.
Hassan’s prescriptions, when they come, are sometimes frustratingly vague. He advocates for “slowness” and “analogue practice” but is less precise about what this looks like in the context of, say, a small business owner who genuinely needs to compete digitally to survive. The book is more diagnostic than therapeutic, which is intellectually honest but can leave practically-minded readers wanting more.
There is also a tension in Hassan’s argument that he never fully resolves: he is clearly a sophisticated user of digital tools, writing for an academic audience that engages primarily through digital channels. The book itself will be discovered, reviewed, and discussed online. Acknowledging this paradox more directly might have strengthened, rather than weakened, his core argument.
Finally, some readers may find the theoretical density of the middle chapters demanding. This is not a light airport read. It rewards patience — which is, of course, entirely in keeping with its subject matter.
At Zest City, we found ourselves discussing Analog in the context of our own work and the advice we give to clients. A few themes emerged as genuinely actionable:
Analog by Robert Hassan is not a comfortable read for anyone who has staked their professional identity on digital fluency — and that is exactly why it is worth reading. It does not ask you to abandon the digital; it asks you to understand it clearly enough to use it wisely.
For digital professionals, marketers, technologists, and business leaders navigating a landscape increasingly shaped by AI and automation, this book offers something genuinely rare: a philosophically grounded, empirically informed argument for the continuing value of human-scale thinking and practice.
Rating: 4 out of 5. Essential reading for the reflective digital professional. Occasionally demanding, occasionally abstract, but consistently rewarding.
Analog by Robert Hassan is published by MIT Press.
Looking to build a digital presence that balances speed with substance? Zest City, a UK digital agency specialising in website design, digital marketing, and AI integration, works with businesses across Kent, Essex, and beyond to create strategies that are effective and sustainable. Request your free digital audit today and let’s talk about what the right digital approach looks like for your business.
Robert Hassan is a media and communications scholar at the University of Melbourne. He writes about the relationship between digital technology, time, attention, and human culture. His works include The Chronoscopic Society, Empires of Speed, and Analog, all of which examine how networked digital environments reshape perception, cognition, and social life.
Hassan argues that digital technology operates at a speed and scale that is misaligned with human cognitive and biological capacity. He makes the case that analogue practices — physical, slow, embodied, and non-digital activities — are not outdated but are essential for deep thinking, creativity, and genuine human connection in an increasingly accelerated digital world.
No. Hassan is not arguing for abandoning digital technology. His argument is more nuanced: he advocates for a deliberate and critically informed relationship with digital tools, and for actively preserving the analogue capacities that digital acceleration tends to erode. The book is a call for balance and intentionality, not rejection.
The book is particularly valuable for digital professionals, marketers, designers, technologists, business leaders, and anyone whose working life is shaped by always-on connectivity. It is also relevant for educators, policymakers, and anyone interested in the cultural and psychological impacts of digital media. It requires a degree of patience with academic prose but is accessible to a general educated readership.
Hassan’s argument has clear implications for the current AI boom. As automation accelerates, he suggests that the uniquely human capacities cultivated through analogue practice — judgement, contextual sensitivity, creative synthesis, and patience — become more rather than less valuable. This makes Analog a useful philosophical companion to practical discussions about responsible AI integration in business.
Both books make the case that focused, uninterrupted cognitive effort is increasingly rare and valuable. Newport’s approach is primarily practical and productivity-oriented. Hassan’s is more philosophical and structural, explaining the civilisational forces behind the problem rather than focusing on individual habits. They complement each other well and are worth reading alongside one another.
Analog is published by MIT Press and is available from major booksellers including Amazon, Waterstones, and Blackwell’s, as well as directly from the MIT Press website. It is available in hardback, paperback, and ebook formats.
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